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Dub: Soundscapes and Shattered Songs in Jamaican Reggae (Music Culture) de Michael Veal

Descripción - Críticas 'Veal has written the first comprehensive overview of (dub's) development up to and including the digital music that followed dub's analog innovations... Veal does an excellent job of explaining, analyzing, and describing sounds. He also connects dub's influence to hip-hop, dance, electronica, and other modern genres, demonstrating how many dub tricks are still being used today in various incarnations. Readers will especially appreciate Veal's excellent Appendix of Recommended Listening, which includes catalog numbers that will make these recordings easier to find... (T)his is certainly the best and only book on dub music; highly recommended for all academic and public music collections where reggae music is popular.'--Library Journal'This extraordinary book, with its rich interpretation of the aesthetics and social significance of dub, constitutes a dramatically original contribution to the study of Jamaican popular music, and should be a landmark in popular music studies as a whole.'--Peter Manuel, professor of ethnomusicology, John Jay College and CUNY Graduate Center 'Veal's wise volume has rescued Reggae music at last from the tentacles of exoticism. This is a glorious affirmation of dub's rebel, Creole spirit.'--Paul Gilroy, Anthony Giddens professor of social theory, London School of Economics 'Veal has written the first comprehensive overview of (dub's) development up to and including the digital music that followed dub's analog innovations... Veal does an excellent job of explaining, analyzing, and describing sounds. He also connects dub's influence to hip-hop, dance, electronica, and other modern genres, demonstrating how many dub tricks are still being used today in various incarnations. Readers will especially appreciate Veal's excellent Appendix of Recommended Listening, which includes catalog numbers that will make these recordings easier to find... (T)his is certainly the best and only book on dub music; highly recommended for all academic and public music collections where reggae music is popular.'--Library Journal 'Veal deftly outlines the sociopolitical context in which dub arose, and explains how the cut-corner, make-do economics of the Jamaican record business led to a maximization of materials: song begat deejay version(s) beget dub(s)-at least three products for little more than the price of one... Where Veal's book steals a march on the competition is in his technical analysis of how Tubby, Perry, Thompson, Sylvan Morris, and other mixing engineers adapted (and creatively abused) the equipment in studios... He also analyzes a number of tracks by each of the principal dub engineers under discussion...to show the transformation of song to version and dub, all of which is illuminating...(H)e provides valuable information as to where these tracks may be found... (T)his is an extremely bold and interesting book.'--The Wire Reseña del editor When Jamaican recording engineers Osbourne 'King Tubby' Ruddock, Errol Thompson, and Lee 'Scratch' Perry began crafting 'dub' music in the early 1970s, they were initiating a musical revolution that continues to have worldwide influence. Dub is a sub-genre of Jamaican reggae that flourished during reggae's 'golden age' of the late 1960s through the early 1980s. Dub involves remixing existing recordings-electronically improvising sound effects and altering vocal tracks-to create its unique sound. Just as hip-hop turned phonograph turntables into musical instruments, dub turned the mixing and sound processing technologies of the recording studio into instruments of composition and real-time improvisation. In addition to chronicling dub's development and offering the first thorough analysis of the music itself, author Michael Veal examines dub's social significance in Jamaican culture. He further explores the 'dub revolution' that has crossed musical and cultural boundaries for over thirty years, influencing a wide variety of musical genres around the globe. Biografía del autor MICHAEL E. VEAL is a musician and professor of ethnomusicology at Yale University. He is the author of several books, including Fela: The Life and Times of an African Musical Icon and Dub: Soundscapes and Shattered Songs in Jamaican Reggae.

Bass culture when reggae was king bradley, lloyd for me, what makes bass culture so compelling reading, is not just lloyd bradleys impressive knowledge of reggae music, it is also his incredible knowledge of the country of jamacia itself jamaica was the country that gave birth to reggae music, the first music of this countrys youthful musical expression Mx reggae géneros musicales libros compre en línea para reggae géneros musicales a partir de una gran selección en libros tienda Dub soundscapes and shattered songs pdf dub soundscapes and shattered songs pdf winner of the arscs award for best research history in folk, ethnic, or world music when jamaican recording engineers osbourne michael e veal, dub

Michael veal dub soundscapes and shattered songs in michael veal dub soundscapes and shattered songs in jamaican reggae 2007 9780819565716pdf free ebook download as pdf file pdf, text file txt or read book online for free Dub soundscapes and shattered songs pdf dub soundscapes and shattered songs in jamaican reggae by michael e veal some great bios and stories of the key players in dub are the highlight of this book the author takes pains to mention that there has never before been a book dedicated solely to the genre of dub, and i am very grateful that the subject has been taken up and that this book osundscapes Reggae soundsystem original reggae album cover art a covering about 60 years of jamaican music theres a lot to look at the various periods and styles of music are under their respective chapters and titles, with a short essay on that particular style of music simply putif youre a deep fancollector of reggae music andor album cover artthis book is for you

Detalles del Libro

• Name: Dub: Soundscapes and Shattered Songs in Jamaican Reggae (Music Culture)
  
• Autor: Michael Veal
  
• Categoria: Libros,Arte, cine y fotografía,Música
  
• Tamaño del archivo: 15 MB
  
• Tipos de archivo: PDF Document
  
• Idioma: Español
  
• Archivos de estado: AVAILABLE
  

Lee un libro Dub: Soundscapes and Shattered Songs in Jamaican Reggae (Music Culture) de Michael Veal Ebooks, PDF, ePub

Dub soundscapes and shattered songs in jamaican reggae dub soundscapes and shattered songs in jamaican reggae music culture english edition ebook michael veal tienda kindle Dub soundscapes and shattered songs in jamaican reggae pdf dub soundscapes and shattered songs in jamaican reggae by michael e veal a great insider look at dub music, in terms of the personalities behind it, the times that formed it, the influence it had, and musical make up of the dub pieces themselves Db0nus869y26vcloudfront el reggae es un género musical que se desarrolló por primera vez en jamaica hacia mediados de los años 1970aunque en ocasiones el término se utiliza de modo amplio para referirse a diferentes estilos de música jamaiquina, por reggae se entiende en sentido estricto un género musical específico que se originó como desarrollo de otros anteriores como el ska y el rocksteady

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